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M. Grimshaw and T. A. Garner, "Sonosemantics," in Proc. 8th Audio Mostly Conference, K. Delsing and M. Liljedahl, Eds. New York, Sept. 18–20, 2013. 
Added by: Mark Grimshaw-Aagaard (02/06/2025, 06:54)   Last edited by: Mark Grimshaw-Aagaard (02/06/2025, 06:56)
Resource type: Proceedings Article
Peer reviewed
DOI: 10.1145/2544114.2544126
ID no. (ISBN etc.): 978-1-4503-2659-9
BibTeX citation key: Grimshaw2013
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 Categories: Sensation & Perception
Keywords: Audio, Perception, Sonosemantics, Sound
Creators: Delsing, Garner, Grimshaw, Liljedahl
Publisher: Association for Computing Machinery (ACM) (New York)
Collection: 8th Audio Mostly Conference		 Views: 31/31
Attachments   sonosemantics.pdf [5/5] URLs   http://dl.acm.org/ ... 7&CFTOKEN=23263234
Abstract
The purpose of this positioning paper is to propose a new definitional framework of sound, sonosemantics. The need for this is apparent for a number of reasons. Physiological conditions such as some forms of subjective tinnitus require no sound waves for sound to be heard yet all current mainstream definitions of sound state that sound is a sound wave or that sound requires sound waves for its perception. New research suggests a closer and directly causal identification of sound with emotion than hitherto uncovered. New technology suggests new ways to exploit the possibility of hearing sound in the absence of sound waves.
Added by: Mark Grimshaw-Aagaard  Last edited by: Mark Grimshaw-Aagaard
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