HKUST(GZ) Computational Media Arts
HKUST(GZ) Computational Media Arts |
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M. Grimshaw, "Sound and Immersion in the First-Person Shooter," in Proc. The 11th International Computer Games Conference, France, Nov. 21–23, 2007. Added by: Mark Grimshaw-Aagaard (01/06/2025, 09:36) Last edited by: Mark Grimshaw-Aagaard (03/06/2025, 16:36) |
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| Resource type: Proceedings Article Peer reviewed BibTeX citation key: Grimshaw2007 Email resource to friend View all bibliographic details  |
Categories: Computer Games Keywords: Acoustic ecology, First Person Shooters, Immersion Creators: Grimshaw Publisher: Université de La Rochelle (France) Collection: The 11th International Computer Games Conference |
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Attachments
soundAndPlayerImmersion.pdf  [3/3]
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| Abstract |
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One of the aims of modern First-Person Shooter (FPS) design is to provide an immersive experience to the player. This paper examines the role of sound in enabling such immersion and argues that even in ‘realism’ FPS games, it may be achieved sonically through a focus on caricature rather than realism. The paper utilizes and develops previous work in which a conceptual framework for the design and analysis of run and gun FPS sound is developed and the notion of the relationship between player and FPS soundscape as an acoustic ecology is put forward (Grimshaw and Schott 2007a; Grimshaw and Schott 2007b). Some problems of sound practice and sound reproduction in the game are highlighted and a conceptual solution is proposed.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
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