HKUST(GZ) Computational Media Arts

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M. Grimshaw-Aagaard, "Presence, Environment, and Sound and the Role of Imagination," in The Oxford Handbook of Sound and Imagination M. Grimshaw-Aagaard, M. Walther-Hansen, and M. Knakkergaard, Eds. New York: Oxford University Press, 2019, vol. 1, pp. 669–681. 
Added by: Mark Grimshaw-Aagaard (01/06/2025, 09:36)   Last edited by: Mark Grimshaw-Aagaard (02/06/2025, 07:45)
Resource type: Book Chapter
Peer reviewed
DOI: 10.1093/oxfordhb/9780190460167.013.33
BibTeX citation key: GrimshawAagaard2019b
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Categories: Presence & Immersion
Keywords: Environment, Imagination, Presence, Self-presence
Creators: Grimshaw-Aagaard, Knakkergaard, Walther-Hansen
Publisher: Oxford University Press (New York)
Collection: The Oxford Handbook of Sound and Imagination
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Attachments   URLs   https://www.oxford ... 9780190460167-e-33
Abstract
"Mark Grimshaw-Aagaard addresses the role of sound in the creation of presence in virtual and actual worlds. He argues that imagination is a central part of the generation and selection of perceptual hypotheses—models of the world in which we can act—that emerge from what Grimshaw-Aagaard calls the “exo-environment” (the sensory input) and the “endo-environment” (the cognitive input). Grimshaw-Aagaard further divides the exo-environment into a primarily auditory and a primarily visual dimension and he deals with the actual world of his own apartment and the virtual world of first-person-shooter computer games in order to exemplify how we perceptually construct an environment that allows for the creation of presence."
Added by: Mark Grimshaw-Aagaard  Last edited by: Mark Grimshaw-Aagaard
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